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Geneva Lewis: Barber, Zorn, Glass album review – virtuosity and warmth

New Zealand violinist Geneva Lewis makes her Delos recording debut with an all-American programme featuring music by Samuel Barber, John Zorn and Philip Glass. Conducted by fellow New Zealander Gemma New with the BBC Scottish Symphony Orchestra, the album is described as combining technical assurance with warmth and emotional feeling.

Geneva Lewis has chosen an all-American programme for her debut recording on the Delos label. The New Zealand violinist is accompanied by the BBC Scottish Symphony Orchestra, conducted by fellow New Zealander Gemma New.

The programme includes works by Samuel Barber, John Zorn and Philip Glass. Lewis, a former BBC New Generation Artist, is praised in the review for her performance across the selection.

Barber’s Violin Concerto receives an airy and poetic reading, with Lewis and New bringing out its lyrical pastoral character. The opening movement’s “scotch snap” is also highlighted, while the orchestra’s handling of an ongoing Celtic motif leads into a moto perpetuo conclusion compared in the review to a highland fling.

Lewis’s playing is described as warm and expressive, with an aching quality in the concerto’s allegro and andante movements and a feisty, folk-influenced character in the finale.

THE QUESTIONS THIS EVENT LEAVES BEHIND

What considerations led Lewis to select these three composers for her debut recording?

How might the collaboration between Lewis and New shape the interpretation of the programme?

What assumptions influence the description of this music as distinctly American?

How could the album’s reception affect Lewis’s opportunities as a recording artist?

What perspectives on the programme are absent from the available review excerpt?

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